Besides, didn't I tell you that I giv' him as good as he brought—and better! I jist touched him with my 'Evenin' Star,' as I call this shillelah," said the watchman, flourishing an immense bludgeon, the knob of which appeared to be loaded with lead, "and, by Saint Patrick! down he cum'd like a bullock. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. There’s nothing happened at all!” She didn’t mean, he concluded, to give him any more trouble ever, and he was free to begin a fresh chromatic novel—he had just finished the Blue Lagoon, which he thought very beautiful and tender and absolutely irrelevant to Morningside Park—or work in peace at his microtome without bothering about her in the least.
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