"Why, first," rejoined Austin, "there's Sir James Thornhill, historical painter to his Majesty, and the greatest artist of the day. And there was no intimation whatever that the blinds would ever go up or the windows or doors be opened, or the chandeliers, that seemed to promise such a blaze of fire, unveiled and furnished and lit. But there was a face pressed to the glass. You have made your public, you are already a personage. I didn’t ought to have sent for him.
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