“Why can’t you tell people that you are what you are? Why all the secrecy?” She looked beyond the farmhouse. The cell in which she was confined was about six feet long and four wide; the walls were scored all over with fantastic designs, snatches of poetry, short sentences and names,—the work of its former occupants, and of its present inmate. “Yes. The blue jowl, the fat-lidded eyes—now merry, now alert, now tungsten hard—the bullet head, the pudgy fingers and the square-toed shoes were all in conformation with the doctor's olden mental picture.
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