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Here again instinct guided her. He could not understand how men could live ignoring this one predominant interest, this wonderful research into personality and the possibilities of pleasing, these complex, fascinating expeditions that began in interest and mounted to the supremest, most passionate intimacy. “Never—but, by Jove, you had a narrow escape,” Ennison exclaimed. Who were you looking for tonight? One of the émigrés? There were several in there. The walls were bare, and painted in stone-colour; the floors, devoid of carpet; the beds, of hangings; the windows, of blinds; and, excepting in the thief-taker's own audience-chamber, there was not a chair or a table about the premises; the place of these conveniences being elsewhere supplied by benches, and deal-boards laid across joint-stools. Irregularly, in a quite inglorious and unromantic way, you know, I am a vicious man. Now you haven’t the ghost of one—not if you play the game fair. ] THE RAGGED EDGE BY HAROLD MACGRATH AUTHOR OF DRUMS OF JEOPARDY, ETC. It was painted in the early seventeenth century by a minor artist named DuPre. “You know,” he muttered, “you know quite well that your troubles are far more likely to weigh upon me than my own. Annabel, come to the door with me,” she added a little abruptly. She heard him crash against it, and turned the key in the lock. The detective backed out slowly and closed the door without sound. “Perhaps,” he queried, “you wish to avoid being seen about with any one—er— connected with the profession, under present circumstances. Drummond nodded.

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